[[ Free eBook ]] The Great MoviesAuthor Roger Ebert – Multi-channel.co

It s hard to imagine criticism as being something that everyone isn t good at I m being critical right now your snide Facebook comment from earlier today is criticism Given how much our thoughts and feelings end up public affairs in the modern world, everyone is a critic, yet few of us do it well How often do we gush about some movie, restaurant, or book to our friends only to realize later that our words had little to no effect in altering their behavior Reading a book of criticism which convinced me I had to see one movie is no mean feat what if a critic convinced you to see 25 movies Maybe Roger Ebert s passing was a great loss to those of us who enjoy discussing the things we love His writing style was knowledgeable, convincing, and purely entertaining The books chosen in this volume were clearly loved by Ebert, watched multiple times without adulterating his experience While I may not watch all of the movies discussed in this book, I ve certainly spent a good deal of time thinking about my own writing style and my own favorite flicks Though first glance at the list of movies may leave the potential reader fearing for a pretentious trip down Cannes lane, every entry left me at least mildly interested in renting a copy for my own viewing pleasure Even the movies Ebert himself called out as pretentious Truly special are the entries none of these can be considered movie reviews even though reviews are what we would expect from Ebert in which Ebert takes liberties with his writing style such as a formatting his discussion of E.T into a letter to his grandchildren, with whom he had just watched the film Like any book that consists of dozens of chapters all on a similar subject, The Great Movies is enjoyed best in smaller chunks to avoid a sense of repetition You could happily read about a movie a day for months or take in three or four at a time, like I did.All writers learn to write better by reading great authors If everyone s a critic, everyone should make a point to read this. I have a friend who explains she judges Chinese restaurants by cold sesame noodles If they make good cold sesame noodles they can make anything I judge movie review books by The Godfather So the first review I read in this book was the Godfather and it was brilliant view spoiler In response to the question what was Mama Coreleone s first name it is Carmela hide spoiler The word that sprang to mind as I finished this book is anodyne This is a competent and thoroughly unexceptional survey of great movies Ebert s opinions range from main stream to routine within the normal range of deviation acceptably eccentric Not one of the reviews in the book made me stop of think wow, what a fascinating new way to look at that movie Nor did any of them illuminate to me why I liked, or failed to be moved by, or disliked a movie I came out of the book knowing no about movies nor about my own responses to movies than I did going in On a technical level there are times when Ebert is simply wrong about the facts surrounding a movie For example he writes of the first Star Wars film Two Lucas inspirations started the story with a tease He set the action not in the future, but long ago, and jumped into the middle of it with Chapter 4 A New Hope These seemingly innocent touches were actually rather powerful They gave the saga the aura of an ancient tale and an ongoing one Of course this is incorrect When the film was first released it was simply titled Star Wars I am of an age to have seen it when it was initially released and remember that first opening crawl I also remember the gasp of confusion in the theater when the sequel s open title crawl began Episode V The Empire Strikes Back This was back in the days when it was the norm to see a film without having been completely spoiled as to its details in advance This mistake is important because of the material with which it is surrounded Ebert is writing about what it felt like to watch the first Star Wars film at the time it was initially released and yet it is clear that he is confounding the feelings of later viewings with those of his initial experience In other words, he is not recalling the actual experience of first watching the film he is overwriting those memories with later opinions and encounters.This undermines many of his discussions about other movies since he often begins by writing about how he felt when he first saw them and contrasting those feelings with the way in which he experienced the same movies in later years This reader wonders if this projection and overwriting of later experiences and feelings onto vague initial memories is a frequent occurrence.Finally it should be pointed out that this is not a survey of great movies Ebert himself writes The movies in this book have three thoughts or They not the 100 greatest films of all time, because all lists of great movies are a foolish attempt to codify works which must stand alone But it s fair to say If you want to make a tour of the landmarks of the first century of cinema, start here However this is a thoroughly mainstream, middle of the road introduction to great films which guides the reader along in such a way that there is an illusion of a range of cultures and genres and yet the writing does so in such a way that there is not a single film included that doesn t fall within the standard canon For example, where are the great films of Black Cinema Ebert may not have seen those as a boy or as a young man but those films were seen by succeeding generations of African American actors, writers and directors and thus by influencing some of the greatest artists of the cinema continue, if only at a remove, to have an impact on all American cinema today Where are the films that came out of China and India Where are the films made by indigenous North and South Americans Where are the films made by actors and directors from Mexico, Argentina and Brazil This is a thoroughly middle of the road, Eurocentric, safe, unadventurous and timid exploration of the great films And that is why it is filed in my mind under the word anodyne. Roger Ebert introduces this collection of his reviews by pointing out these are what he considers to be GREAT movies not the GREATEST movies He found a GREATEST list to be virtually meaningless as it is difficult to argue merits beyond GREAT I would be on pretty safe ground if I told you that I m providing a list of my Favorite Films, but Greatest Films is an entirely different situation and will immediately be headed to disagreement So, these are films that he believes stand out as major artistic achievements and or are especially thought provoking.He includes the films that almost everyone considers to be wonderful, such as 2001 A SPACE ODYSSEY CASABLANCA CITIZEN KANE THE WIZARD OF OZThere were also those films that I haven t seen, but that I ve added to my viewing list, such as THE DECALOGUE FLOATING WEEDS L AVVENTURA MR HULOT S HOLIDAYOf course, there were those that I haven t seen and have absolutely no intention of ever seeing, such as HOOP DREAMS Not much of a sports film fan LE SAMOURAI PICKPOCKET WRITTEN ON THE WIND If I never see another movie directed by Douglas Sirk, it will be too soon And there were those that caused me to scratch my head at their inclusion, such as LAST YEAR AT MARIENBAD I made it through to the end barely UN CHIEN ANDALOU Challenging, yes Unusual, yes Great well, it has no story line and the shots aren t connected to one another so, no I was actually surprised that I had seen most of the films, and that I agreed with his choices most of the time Even when I disagreed, his reasoning provided a great deal of insight Most of all, it generated a strong interest in me to go and view many of these either again or for the first time In some cases, I ll want to see a few that I didn t like initially, but his argument caused me to wonder if my opinion will change So, TAXI DRIVER, here I come I found this side note interesting Roger Ebert had been working as a film critic for only 6 months when BONNIE AND CLYDE was released The film was roundly panned by most critics at the time to the point that the studio considered pulling it from release He said that when he saw it, he realized he had seen his first masterpiece since working for a newspaper and he sang the film s praises Of course, public acceptance and later revisits by many of those same critics supported his belief I think it is a GREAT film, too At the end of the book was a listing for THE GREAT MOVIES II, so maybe the films I thought should have been included and weren t will finally make an appearance.This one gets a Thumbs Up Way Up. Fantastic read, recommended for anyone who loves movies. Reading Ebert s collection of essays was like revisiting the highlights from film school The films are taken from the tried and true list of greats, but all of them are actually pretty great Ebert writes in a way that is accessible to the film layman but also includes enough about the technical and creative processes that give experienced readers insight My favorite essay was on E.T Ebert broke from his usual formula there, crafting the review as a letter to his grandchildren after their first viewing of the film It was witty and sweet, but also made excellent points about the film s perspective and craftsmanship. A really fun read, and super inspiring I want to re watch all the films, now. Reading anything by the late Roger Ebert is to experience a mini master class in film criticism Through his prose, his adoration of film shines through every word, whether he likes a film or not Cinema GOOD cinema is the alter before which he worshiped, and which he analyzed like no other critic living today.That said, Ebert wrote three books with the same title The Great Movies the first merely goes by that title but the second and third are II and III, respectively, on their covers Reading just one Roger Ebert review analyzation is satisfying enough But when 100 films, ranging from Werner Herzog s Aguirre, the Wrath of God to The Godfather , A Hard Day s Night , Japanese films such as Akira Kurosawa s haunting Ikiru which I watched immediately after reading Ebert s chapter on it to the great silent films like M and Metropolis and some masterworks of directors Bergman, Goddard and Renoir are all put together in chapter after chapter well, if you are a film lover of just about any ilk, you are not going to want to put this book down The reader just learns and learns Even reading about the films in this book that I haven t seen, I lapped up the words like a kitten before a bowl of cream, perhaps even eagerly than I would have now that we no longer have his voice to turn to Each film is described and discussed thoroughly and, frankly, the best praise I can give The Great Movies is that reading only a few pages made me want to shut myself away in a darkened theatre, all alone, having my meal brought to me and surrounded by my cats they always watch movies with me because at those moments, I m a captive lap I want to just watch and watch and gorge myself on all the films Ebert writes of, one right after the other.I cannot wait to get to Volumes II and III Actually, I ve got II right here on my desk, so I ll just close this review saying while we no longer have the man to enjoy, he wrote a lot of words that still exist and resonate, and his love of film will never die but will transmit itself through The Great Movies and all the other volumes of criticism he has left with us to enjoy and savor. I ve been a huge fan of Roger Ebert ever since I was a little girl I would watch his show every weekend to see what movies were good and what movies to skip Yes, Virginia, there wasn t an internet or social media then Anyway, this book is filled with Ebert s view on 100 great movies ever made A must read and own for any film buff Highly recommend My Rating 5 stars America S Most Trusted And Best Known Film Critic Roger Ebert Presents One Hundred Brilliant Essays On Some Of The Best Movies Ever Made For The Past Five Years Roger Ebert, The Famed Film Writer And Critic, Has Been Writing Biweekly Essays For A Feature Called The Great Movies, In Which He Offers A Fresh And Fervent Appreciation Of A Great Film The Great Movies Collects One Hundred Of These Essays, Each One Of Them A Gem Of Critical Appreciation And An Amalgam Of Love, Analysis, And History That Will Send Readers Back To That Film With A Fresh Set Of Eyes And Renewed Enthusiasm Or Perhaps To An Avid First Time Viewing Ebert S Selections Range Widely Across Genres, Periods, And Nationalities, And From The Highest Achievements In Film Art To Justly Beloved And Wildly Successful Popular Entertainments Roger Ebert Manages In These Essays To Combine A Truly Populist Appreciation For Our Most Important Form Of Popular Art With A Scholar S Erudition And Depth Of Knowledge And A Sure Aesthetic Sense Wonderfully Enhanced By Stills Selected By Mary Corliss, Film Curator At The Museum Of Modern Art, The Great Movies Is A Treasure Trove For Film Lovers Of All Persuasions, An Unrivaled Guide For Viewers, And A Book To Return To Again And Again The Great Movies Includes All About Eve Bonnie And Clyde Casablanca Citizen Kane The Godfather Jaws La Dolce Vita Metropolis On The Waterfront Psycho The Seventh Seal Sweet Smell Of Success Taxi Driver The Third Man The Wizard Of Oz And Eighty Five Films From The Hardcover Edition